Angeline, John, “Many things for many people: the art of Maria Elena Gonzalez,” Velvetpark: dyke culture in bloom, Nov./Dec. 2002, p. 30-33
Armstrong, David. All day every day. Zurich; New York: Scalo, 2002 (distrib. by DAP, New York) 142 p.
Arnold, Martin, “A new phase for gay books,” New York times, Feb. 27, 2003, p. E3. “A publisher looks for the next genre beyond the coming-out story”
Azara, Nancy. Spirit taking form: making a spiritual practice of making art. Boston, MA: Red Wheel, 2002. 148 p. ISBN 1590030168 (pbk)
Berry, Chris; Fran Martin and Audrey Yue, editors. Mobile cultures: new media in queer Asia. Durham: Duke University Press, 2003. 306 p. (Console-ing passions) ISBN 0-8223-3050-4 (cloth) ISBN 0-8223-3087-3 (paper : $21.95)
Blom, Ina. The name of the game: Ray Johnson’s postal performance. Book edited and exhibition curated by Ina Blom. Oslo: National Museum of Contemporary Art, 2003. 119 p. ISBN 82-91727-12-0 Text in English and German
Bloomink, Barbara J., “Florine Stettheimer: becoming herself,” in Singular women: writing the artist. Edited by Kristen Frederickson and Sarah E. Webb. Berkeley: University of California Press, 2003. p. 111-129
Boxer, Sarah, “Andy Warhol’s ‘Screen tests’ were 3-minute eternities,” New York times, May 23, 2003, p. E38. The screen tests have been restored by MoMA and 28 of them are being shown continuously on 6 screens at MoMA QNS through Sept. 1.
Bryan-Wilson, Julia, “Pictures at a deposition,” Art journal, v. 62, no. 2 (summer 2003), p. 102-105. Review of Outlaw representation by Richard Meyer (New York: Oxford University Press, 2002)
Callahan, Dan, “The lover and beloved: rhapsody in sepia,” New York blade, Mar. 7, 2003, p. 38. On the John Dugdale show at John Stevenson Gallery, New York
Camille, Michael and Adrian Rifkin, editors. Other objects of desire: collectors and collecting queerly. Oxford, UK and Malden, Mass.: Blackwell Publishers, 2001. 160 p. Also published as Art history, v. 24, no. 2, 2001. ISBN 0-631-23361-X
Cardwell, Diane, “Yes, it’s art, but to Santa, a trip to the chiropractor,” New York times, Jan. 19, 2003, p. 26. On “Witch catcher” by gay sculptor Brian Tolle, installed in City Hall Park, New York
Che, Cathay and Lori Kaye, “Herb Ritts: a life in focus,” The advocate, #882 (Feb. 4, 2003), p. 64-65
Clarke, John R. Roman sex, 100 B.C. to 250 A.D. New York: Abrams, 2003. ISBN 0-8109-42631-1
Colman, David, “Mr. Love finds an island, if not entirely to himself: at home with Robert Indiana,” New York times, Feb. 6, 2003, p. F1, F6
Colville, Georgiana M. M., “Self-representation as symptom: the case of Claude Cahun,” in Interfaces: women autobiography, image, performance, edited by Sidonie Smith and Julia Watson (Ann Arbor: University of Michigan Press, 2002), p. 263-288
Corinne, Tee A., excerpt from “The little houses on women’s lands,” Off our backs, v. 33, no. 5-6 (Apr.-May 2003), p. 35-38
Corinne, Tee A., “A vision of art and community,” Lambda book report, v. 11.04-11.05 (Nov.-Dec. 2002), p. 34
Cossey, Megan, “Body image: ground-breaking look at black women’s image,” Gay city news (New York), Feb. 7-13, 2003, p. 41. Review of The black female body by Deborah Willis and Carla Williams (Temple University Press, 240 p., $60)
Cotter, Holland, “Adi Nes [at] Jack Shainman Gallery, 513 West 20th Street, Chelsea, through April 12,” New York times, Apr. 4, 2003, p. E39. Short review
Cotter, Holland, “Donald Moffett, ‘The extravagant vein’ [at] Marianne Boesky Gallery, 535 West 22nd Street, Chelsea, through March 15,” New York times, Feb. 21, 2003, p. E45
Cotter, Holland, “George Kimmerling, Deborah Stratman [at] Momenta, 72 Berry Street, Williamsburg, Brooklyn, through Sunday,” New York times, Feb. 7, 2003, p. E39
Cotter, Holland, “‘The kids are alright: photographs by Ryan McGinley’ [at] Whitney Museum of American Art, 945 Madison Avenue, at 75th Street, through May 18,” New York times, Feb. 14, 2003, p. E45
Dehnart, Andy, “From Russes with love,” The advocate, #883 (Feb. 18, 2003), p. 66-67. “The early 20th-century gay genius of Nijinsky, Diaghilev, and the Ballets Russes comes alive in a major exhibition at the Baltimore Museum of Art”
DePalma, Anthony, “A daring (and icy) duet,” New York times, Feb. 23, 2003, p. CY5. On Patricia Cronin’s “Memorial to a marriage” at Woodlawn Cemetery, Bronx, N.Y.
Diliberto, Gioia, “Sargent’s muses: was Madame X actually a mister?” New York times, May 18, 2003, p. AR30. Speculation about the identity of Madame X as Virginie Gautreau or Albert de Belleroche, but the author is exceedingly coy about the nature of Sargent’s relationship with men
Dini, Jane, “The artist as choreographer: Sargent’s murals at the Museum of Fine Arts, Boston,” American art, v. 16, no. 3 (fall 2002), p. 10-29. Includes discussion and reproductions of homoerotic images
Dynes, Wayne R., “Does persecution make for better art: [review of] A hidden love: art and homosexuality by Dominique Fernandez, translated by David Radzinowicz, Prestel, 320 pages, $75,” The gay & lesbian review, v. 10, no. 2 (Mar.-Apr. 2003), p. 41-42
Ebony, David, “An Irish lament: integrating space architectural forms with pastoral elements from the Irish countryside, New York’s newest memeorial is dedicated to the victims of Ireland’s great famine,” Art in America, no. 5 (May 2003), p. 54-57. On the Irish Hunger Memorial designed by gay artist Brian Tolle
Ehrenstein, David, “Confessions of a modernist mind: the letters of Marsden Hartley reveal how sexual liberty and creative freedom go hand in hand,” The advocate, #886 (Apr. 1, 2003), p. 66-67. Review of My dear Stieglitz (University of South Carolina Press)
Ellwood, Mark, “Private Ryan,” (not only) blue, issue 44 (May 2003), p. 24-27 & 6 col. illus. “Spunk-spattered, puke-stained and full of love, Ryan McGinley’s photography has brought the New York art world to its knees.” On the exhibition at the Whitney, spring 2003
Ford, Charles Henri: short notice on Ford show at Mitchell Algus Gallery, New York, The New Yorker, Jan. 27, 2003, p. 17
Forde, J. A. Unframed: artists respond to AIDS. New York: PowerHouse Books, 2002. 141 p. ISBN 1576871347. Prepared by Community Research Initiative on AIDS, texts by Forde and Manuel Gonzalez
Fouratt, Jim, “A dream grows by the Bay: Dr. Susan Stryker tells New Yorkers about the new LGBT museum in San Francisco,” Gay city news (New York), May 30-June 5, 2003, p. 3. On the merger of the International Museum Project and the GLBT Historical Society to form the International Museum of Gay, Lesbian, Bisexual, and Transgender History
Francesconi, Judy. Visual sonnets. West Hollywood, Calif.: Shake-It-Up Productions, 2000. 74 plates
Fritscher, Jack, “Gay art, Robert Mapplethorpe and the titanic 70’s: an interview with Jack Fritscher,” The archive: the journal of the Leslie-Lohman Gay Art Foundation, no. 9 (winter 2002), p. 1, 3-9. Interview by Bill DeNoyelles
Goldstein, Richard, “A soldier named desire: an Israeli artist confronts the icon of the warrior,” Village voice, Apr. 2-8, 2003, p. 46. On the Adi Nes show at Jack Shainman Gallery, New York
González, Maria Elena: review of the show at The Project, New York, Art in America, no. 4 (Apr. 2003), p. 134-135
Greco, Stephen, “Intellectual adoration: the drawings of Robert Richards explore enjoyment in so many ways,” Gay city news (New York), p. 33
Green, Penelope, “Softening the line between past and present: at home with David Armstrong,” New York times, Apr. 24, 2003, p. F1, F7
Gronlund, Melissa, “Appropriating the pros,” v. 102, no. 3 (Mar. 2003), p. 28. On Peter Blake’s “Appropriating Jack Pierson”
Grundmann, Roy. Andy Warhol’s Blow job. Philadelphia: Temple University Press, 2003. 228 p. (Culture and the moving image) ISBN 1-56639-971-8 (cloth) ISBN 1-56639-972-6 (paper : $22.95)
Gruskin, Nancy, “Designing woman: writing about Eleanor Raymond,” in Singular women: writing the artist. Edited by Kristen Frederickson and Sarah E. Webb. Berkeley: University of California Press, 2003. p. 146-162
Hammer, Langdon, “Village people: a memoir by Frank O’Hara’s sometime lover recalls 1950’s New York,” New York times book review, Apr. 13, 2003, p. 16. Review of Digressions on some poems by Frank O’Hara by Joe LeSueur, illustrated, 305 pp., New York: Farrar, Straus & Giroux, $25
Haring, Keith. Keith Haring a Pisa: cronaca di un murales. Foto di Antonio Bardelli e Cippi Pitschen; introd. di Omar Calabrese; con testi di Roberta Cecchi, Piergiorgio Castellani. Pisa: Edizioni ETS, 2003. ISBN 8846706358
Harmon, Caroline, “‘Gay ghettos’ and the ugly wall of suburbia: making new suburban havens of difference,” The next American city, premiere issue (spring 2003), p. 36-38
Heartney, Eleanor, “Is the body more beautiful when it’s dead?” New York times, June 1, 2003, p. AR37. Works discussed include A.A. Bronson’s “Felix Partz, June 5, 1994”
Herrmann, Matthias, “Matthias Herrmann, artist from Vienna, skips special dinner with Yoko Ono for exclusive interview,” Butt magazine, no. 6 (spring 2003), p. 14-23. Interview with Jop van Bennekom and photo essay
Hirsch, Faye, “Frank Moore’s ecology of loss,” Art in America, no. 5 (May 2003), p. 124-131
Hoban, Phoebe, “Tantalizing images, lost and found: Morton Janklow, whose silhouette was hidden in Ray Johnson’s collages, finally has them all,” New York times, Feb. 16, 2003, p. AR37
Hurwitz, Laurie, “McDermott & McGough [at] Jérôme de Noirmont, Paris,” Art news, v. 102, no. 2 (Feb. 2003), p. 134
Indiana, Robert. Love and the American dream : the art of Robert Indiana. Portland, Me.: Portland Museum of Art; Seattle, WA : Distributed by the University of Washington Press, c1999. 133 p. ISBN 0916857174 (softcover) Published in conjunction with an exhibition held at the Portland Museum of Art, Portland, Maine, June 24-Oct. 17, 1999 and the Marietta/Cobb Museum of Art, Nov. 23, 1999-Jan. 30, 2000
Johnson, Ken, “Stars of the blue screen: Robert W. Richards talks about the new exhibition [at Leslie-Lohman] and the guys who inspired it,” HX magazine, issue 594 (Jan. 24, 2003),. p. 65
Joseph, Branden W., editor. Robert Rauschenberg. Essays by Leo Steinberg, Rosalind Krauss, Douglas Crimp, Helen Molesworth, and Branden W. Joseph. Cambridge, Mass.: MIT Press, 2002. 163 p. (October files, 4) ISBN 0-262-10096 (hardbk) ISBN 0-262-60049-8 (pbk : $14.95)
Kahn, Elizabeth Louise. Marie Laurencin: une femme inadaptée in feminist histories of art. London: Ashgate, 2003. 212 p. ISBN 0-7546-0715-1. Examines the artist’s lesbian identity and the coded iconographies of her oeuvre in the context of avant-garde Europe
Kamps, Toby and Julie Dunn, editors. Ellsworth Kelly, red green blue: paintings and studies, 1958-1965. Essays by Roberta Bernstein and Sarah K. Rich, Toby Kamps and Dave Hickey. San Diego, CA: Museum of Contemporary Art, San Diego, 2002. 128 p. ISBN 0934418624 ($49.95) Published in conjunction with an exhibition at the Museum of Contemporary Art, San Diego; Museum of Fine Arts, Houston; and Whitney Museum of American Art
Kastner, Jeffrey, “Ellsworth Kelly’s journey, from all angles,” New York times, May 4, 2003, p. AR 42
Katz, Yael and Ben Shalom, “Hybrid creatures,” The Berliner, spring 2003, p. 52-67. With photos by Adi Nes and Eyal Ben-Dov
Kelly, Ellsworth. Ellsworth Kelly: in-between spaces, works 1956-2002. Essays by Gottfried Boehm and Viola Wiegel. Ostfieldern: Hatje Cantz, 2003. 168 p. ISBN 3-7757-1229-1 Distributed by DAP, $55.00
Kennedy, Sean, “Going through it: for his latest exhibit, photographer Aaron Cobbett lets his personal life inform the subject matter,” HX magazine, Mar. 7, 2003, p. 28-32
Kennedy, Sean, “Sharpe lines drawn: Tribeca curator creates environment for art appreciation, not just sales,” Gay city news (New York), June 6-12, 2003, p. 45. On show at Paul Sharpe Contemporary Art, 86 Walker St., New York and Sharpe-curated “Bodilicious” at Tattfoo Temple of Art and Design, 67 Monroe Ave., Staten Island, through July 27, 2003
Kimmelman, Michael, “Charles Henri Ford [at] Mitchell Algus Gallery, 511 West 25th Street, Chelsea, through Feb. 1,” New York times, Jan. 24, 2003, p. E41
Koland, Trent J., “Snapshots of queer youth: a photography exhibit of candid portraits of gay and lesbian young people lives up to its name: ‘Exuberance’,” The advocate, #887 (Apr. 15, 2003), p. 60-61. Exhibition first shown in Halifax in July 2002 and at University of the Arts in Philadelphia, Apr. 2003
Kornhauser, Elizabeth Mankin. Marsden Hartley. With contributions from Patricia Mc Donnell and others. Hartford: Wadsworth Atheneum Museum of Art; New Haven: Yale University Press, 2003. 334 p. ISBN 0300097670 In conjunction with the exhibition organized by the Wadsworth Atheneum Museum of Art, Hartford, Jan. 17-Apr. 20, 2003 and also to be held at the Phillips Collection, Washington, D.C. June 7-Sept. 7, 2003, and at the Nelson-Atkins Museum of Art, Kansas City Oct. 11, 2003-Jan. 20, 2004
Krach, Aaron, “Idol worship: Robert Richards talks about drawing gay porn gods,” Gay city news (New York), Jan. 24-30, 2003, p. 23-24
Langa, Helen, “[Review of] Lesbian art in America ... by Harmony Hammond, Rizzoli, 2000,” Woman’s art journal, v. 24, no. 1 (spring/summer 2003), p. 42-46
Leszkowicz, Pawel, “Poland: the shock of the homoerotic,” The gay & lesbian review, v. 10, no. 3 (May-June 2003), p. 19-21
Madoff, Steven Henry, “How do you get to the Biennale? Apply, apply,” New York times, June 1, 2003, p. AR35. On Fred Wilson, the U.S. representative at 2003 Venice Biennale
Magnusson, Tony, “Fine lines,” (not only) blue, issue 44 (May 2003), p. 36-41 & 5 col. illus. “Passion and elegance find unity in the art of the great Paul Cadmus”
May, Stephen, “Go figure,” Art news, v. 102, no. 3 (Mar. 2003), p. 90. Short review of Paul Cadmus: the male nude by Justin Spring (Universe Books)
McConnell, David, “Gay Janson,” Lambda book report, v. 11.04-11.05 (Nov./Dec. 2002), p. 39-40. Review of A hidden love: art and homosexuality by Dominique Fernandez (Prestel)
McDermott, Stephen W., “Curiosity cabinets: visual and other intellectual delights in art and literature,” Gay city news (New York), Feb. 28-Mar. 6, 2003, p. 36. On Curiosa: celebrity relics, historical fossils, and other metamorphic rubbish by Barton Benes (Abrams)
McDermott, Stephen, “Men at work: Mark Del Vecchio and Garth Clark are partners n life and art,” Gay city news (New York), Jan. 17-23, 2003, p. 24-25. On Garth Clark Gallery, New York (specializing in ceramics)
Meyer, Richard, editor. Representing the passions: histories, bodies, visions. Los Angeles: Getty Publications, 2003. 312 p. ISBN 0-89236-676-1 (pbk : $40.00)
Miller, Tim, “Slippery when wet: the lineage of an ancient art intertwines with sex and desire,” Gay city news (New York), May 23-29, 2003, p. 36-37. Review of Sex pots: eroticism in ceramics by Paul Mathieu (Rutgers University Press, 222 p., $45.00)
Mirapaul, Matthew, “Artists cast a wary but interested eye on the web,” New York times, Mar. 31, 2003, p. E4. Illustrated with scenes from Glenn Ligon’s “Annotations,” an interactive family album on the website of the Dia Center
Nelson, Robert S. and Linda Seidel, “Michael Camille: a memorial,” Gesta, v. 41, no. 1 (2002), p. 137-139. Accompanied by bibliography of his writings compiled by Kerry Boeye
Nes, Adi. Adi Nes: recent photographs. Tel Aviv Museum of Art, 2001. 45 p. Text in English and Hebrew, with essays by Ellen Ginton, Yehonda Shenhar, and Devon Rabina, published on the occasion of the exhibition opening Apr. 13, 2001
Newfield, Marcia, “Sonia Melara: erotic religious art,” The archive: the journal of the Leslie-Lohman Gay Art Foundation, no. 9 (winter 2002), p. 1, 9
Noh, David, “A Ford for the ages: Charles Henri Ford’s splendid life,” New York blade, Jan. 27, 2003, p. 34. On show at Mitchell Algus Gallery, New York
Northcross, Wayne, “Flesh and fantasy: soccer fans, porn actors, and lay-about freaks illustrate erotic inspirations,” Gay city news (New York), Apr. 18-24, 2003, p. 50-51. On “Lost boys” by Slava Mogulin at Rare Plus, 521 W. 26th St., New York
Northcross, Wayne, “Rural rhapsody: photographer Michael Meads revels in rough and randy Alabama men,” Gay city news (New York), p. 34
Payne, Roger, “Roger Payne, interesting artist, is extremely well hung and lives next door to Boy George,” Butt magazine, no. 6 (spring 2003), p. 52-58. Interview by Arnoud Holleman
Pener, Degen, “Putting on the Ritts,” Poz, Apr. 2003, p. 24-29, 37. “When famed photographer Herb Ritts died suddenly at 50, the media never mentioned the A-word, let alone his heroic battle against blindness. Gay critics cried coverup. Even his friends were upset. This is the real story they say Ritts wanted told”
Phillips, Jen, “Tee Corinne: unzipped,” Girlfriends, lesbian culture, politics and entertainment, Feb. 2003, p. 24
Pierson, Jack, “Untitled (collage) 2001,” Blind spot, issue 20 (2002), cover, inside front cover, p. 2, 4-11
Polly, John, “Drawn that way: SoHo’s Leslie-Lohman Gay Art Foundation provides a haven where queer artists can exhibit -- and create,” NEXT magazine, v. 10, no. 42 (Apr. 25, 2003), p. 12-15
Polly, John, “Private dancer: a go-go boy, a gay bar, a photographer, and about five minutes of shooting, welcome to Jeff Burton’s new show,” Next magazine, v. 10, issue 32 (Feb. 14, 2003), p. 26-27. On the Jeff Burton show at Casey Kaplan Gallery, New York
Rand, Erica, “Hate groups, big dykes and other problems in academic freedom,” Academe (AAUP), May-June 2003. Available at http://www.aaup.org/ publications/Academe/03mj/03mjrand.htm
Raymond, Gerard, “Pride and the single girl,” The advocate, #892 (June 24, 2003), p. 112. Profile of performance artist Marga Gomez
“Red, hot & black: a portfolio of three photographers who are shooting sexy, subtle and surprisingly sweet images of New York’s dark side,” NEXT magazine, v. 10, no. 36 (Mar. 14, 2003), p. 28-33. Jackson, Max Greenberg, Robert Zash
Ressler, Susan R., editor. Women artists of the American West. Jefferson, N.C.: McFarland, 2003. 357 p. ISBN 0-7864-1054-X (hardcover) Fifteen articles on western women artists of the 19th and 20th centuries
Richards, Robert W. Robert W. Richards’ gods of erotica: the interviews. New York: Leslie-Lohman Gay Art Foundation, 2003. Special book prepared in conjunction with exhibition at LLGAF curated by Harvey Redding, book by Aaron Krach. Book includes interviews Richards did of porn star subjects of his drawings, some with facsimile of period adverts etc.
Roundy, Bill, “All for art,” New York blade, June 6, 2003, p. 28. On the 3rd Annual Erotic Arts Fair, sponsored by Tom of Finland Foundation and held at NYC LGBT Community Center, May 2003
Saltz, Jerry, “Film comment: at the movies with John Waters,” Village voice, Mar. 19-25, 2003, p. 59. On John Waters show at American Fine Arts, New York, to March 22
Saslow, James, “Sodoma, Sodoma, thus cried the boys: a reappraisal of Gianantoni Bazzi’s life and work,” CLAGS news (Center for Lesbian and Gay Studies, Graduate Center, City University of New York), v. 13, no. 1 (winter 2003), p. 16-17
Senelick, Laurence, “Learning one’s Lynes: [review of] ‘Portrait photographs of George Platt Lynes,’ Harvard Theatre Collection, Jan. 8-Feb. 28, 2003,” The gay & lesbian review, v. 10, no. 2 (Mar.-Apr. 2003), p. 50
Sepulveda, Donato, “The other 10%,” The advocate, #892 (June 24, 2003), p. 50-63. Photo-essay on urban GLBT people of color, part of a book project in collaboration with Juan “Juancho” Madariaga
Serwer, Jacquelyn Days, “On remembering the unforgettable Larry Rivers (1923-2002),” American art, v. 17, no. 1 (spring 2003), p. 90-93 (available on the web at http://nmaa-ryder.si.edu/journal/index.html)
Shaw, Aiden, “Decorating with Aiden,” Nest, no. 20 (spring 2003), p. 44-59
Sheets, Hillary, “America’s artist, 2003 edition,” New York times, June 1, 2003, p. AR35. On Fred Wilson, U.S. representative at 2003 Venice Biennale
Simpson, Les, “The kid is alright: 25-year-old art star Ryan McGinley went from skate punk to photographer, but his worldview remains the same,” The advocate, #884 (Mar. 4, 2003), p. 68-69. On his show at the Whitney, with four color illustrations
Sirius, Jean, “Representative artist: Jean Sirius,” HLFQ: Harrington lesbian fiction quarterly, v. 3, no. 3 (2002), p. 35-53
Smalls, James, “Homoeroticism and the quest for originality in Girodet’s Revolt at Cairo (1810),” Nineteenth-century contexts, v. 10, no. 4 (1999), p. 455-488
Smalls, James, “Voicing new critical perspectives,” part of “Writing African American art history,” American art, v. 17, no. 1 (spring 2003), p. 13-16 (available on the web at http://nmaa-ryder.si.edu/journal/index.html)
Smith, Paul Julian, “Queer conceptualists? Basque artists on the borders,” in Contemporary Spanish culture: TV, fashion, art and film (Cambridge, UK: Polidy; Malden, MA: Blackwell, 2003), p. 87-112
Smith, Roberta, “Keith Haring, ‘Popular figuration’ [at] Deitch Projects, 76 Grand Street, SoHo, through Feb. 15,” New York times, Feb. 7, 2003, p. E39
Smith, Roberta, “Marsden Hartley’s world: a body electric,” New York times, Jan. 31, 2003, p. E33, 35
Solomon, Andrew, “True to life,” Artforum international, v. 41, no. 1 (Sept. 2002), p. 57. On Frank Moore, d. Apr. 21, 2002
Sorkin, Jenni, “Envisioning High performance,” Art journal, v. 62, no. 2 (summer 2003), p. 36-51
Straube, Trenton, “Enchanted: Pierre et Gilles explain the process behind their one-oa-a-kind works,” HX magazine, issue 609 (May 9, 2003), p. 26-31. Interview with the artists on the occasion of show at Robert Miller Gallery, New York
Swanson, Carl, “Liked the show, loved the afterparty,” New York times, Feb. 23, 2003, p. ST 1, 12. On Ryan McGinley’s photos and the show at the Whitney
Thompson, Margo, “Finding the phallus in female body imagery,” n.paradoxa international feminist art journal, v. 11 (2003). Discusses artwork by Judie Bamber, Mira Schor, Judy Chicago, Tee Corinne, Harmony Hammond, and Deborah Jones
Toppi, Ettore, “Mixed media: a group show at the Center proves that ‘diversity’ can be more than just an overused buzzword,” New York blade, Apr. 4, 2003, p. 33
Warhol, Andy. Andy Warhol prints: a catalogue raisonné, 1962-1987. Texts by Arthur C. Danto & Donna De Salvo. 4th ed., rev. and expanded by Frayda Feldman and Claudia Defendi. New York: D.A.P./ Distributed Art Publishers in association with Ronald Feldman Fine Arts, and Andy Warhol Foundation for the Visual Arts; Munich: Edition Schellman, 2003. 400 p. ISBN 1891024639 ($85.00)
Wilke, Michael, “Stay tuned: a short history of gay advertising,” Pride 03 (published in conjunction with Pride Week festivals by Profile Pursuit, Inc.), p. 87-90 http://www.profile-pursuit.com
Wilson, Fred. Fred Wilson: objects and installations, 1979-2000. Baltimore: University of Maryland Baltimore County, 2002. 176 p. ISBN 1-890761-04-4
(N.B. If you are interested in reviewing any of the books listed here which have not already been reviewed in the newsletter, please contact the editors. Photocopies of many of the articles listed here are available from the editors for a month or two after the date of this issue. Send your request for a photocopy, with street mailing address, to Sherman Clarke at sherman.clarke@nyu.edu.)